Assisgnment 1 ( ii )

~ Incorrect vs Correct Technic ~
At least six images with incorrect exposure and shooting techniques and the corrected version of the images with the correct exposure and shooting techniques.

1)

Unbalance vs Balance
- 1st pic, balancing on the colours and the arrangement of the wall does not shows at all stages. It looks like the wall had been cut through.
- 2nd pic the arrangement of shapes, colours, areas of light(sky) and dark that complement each other.


2)

1st image are to dark. Adjust the aperture from 4.2 to 4 and by using a flash to get an output as image 2.



3)

1st image does not focus on the sign correctly. The correct focus should includes the whole sign for message delivery.

4)

1st image does not shows a symmetric. 2nd image is much better as we can see a simmetric from both side of the brick.

5)

A branch in the 1st image is an obstacle to the image of an old cottage. The correct position should in front of the branch.

6)

1st image dies not focus on the correct way compare to 2nd image. 2nd image did applied a rule of third in good composition.

Assisgnment 1 ( i )

Part 1

Realistic Images produced by using DSLR (minimum 8 images – 2 portrait images, 4 landscape images, and 2 macro images). Each image has to be explained with the exposure setting (Aperture, Shutter Speed, ISO) that has been used.

** Potrait Images

                                            D50 | f4.2 | 1/400sec | iso800 | 45mm

                                            D50 | f4.8 | 1/40sec | iso800 | 35mm

                                            D50 | f4.2 | 1/10sec | iso200 | 30mm

                                            D50 | f7.1 | 1/640sec | iso200 | 32mm




** Landscape Images

                                             D50 | f11 | 1/80sec | iso400 | 23mm

                                             D50 | f3.8 | 1/400sec | iso200

                                            D50 | f5.6 | 1/250sec | iso200 | 55mm

                                            D50 | f8 | 1/250sec | iso200 | 40mm

                                               D50 | f3.8 | 1/250sec | iso200 | 23mm

                                             D50 | f5.6 | 1/80sec | iso400 | 55mm

                                               D50 | f3.8 | 1/25sec | iso200 | 20mm

                                            D60 | f7.1 | 1/160sec | iso200 | 55mm

                                               D50 | f8 | 1/640sec | iso600 | 23mm
\

                                             D50 | f22 | 1/125sec | iso200 | 19mm

                                            D50 | f18 | 1/60sec | iso200 | 45mm

                                            D50 | f36 | 1/25sec | iso200 | 55mm

                                                D50 | f5.6 | 1/00sec | iso200 | 55mm

                                           D50 | f5.6 | 1/640sec | iso200 | 46mm

                                            D50 | f5.6 | 1/30sec | | iso200 | 55mm

                                               D50 | f5.6 | 1/1250sec | iso200 | 55mm

                                             D50 | f5.6 | 1/30sec | iso200 | 55mm




** Macro Images

                                            D80 | f0 | 1/100sec | iso400 | 0mm | exposure bias -2.7 step

                                            D80 | f0 | 1/100sec | iso400 | 0mm | exposure bias -2.7 step

                                            D50 | f5.6 | 1/250sec | iso200 | 55mm

WK 07 - DoF & COMPOSITION

DoF

Depth of field is the amount of distance between the nearest and farthest objects that appear in acceptably sharp focus in a photography

A few factors may have a direct relationship with depth of field are :
    1) the diaphragm openingg of the lense (aperture)
    2) the focal length of the lense in use
    3) image size (distance of the camera & object)

Quick Reference Guide: Depth of field is governed by three factors: aperture, lens focal length and shooting distance. Remember the following relationships:

1. The smaller the aperture, the deeper the depth of field (the other two factors remaining the same). For example, if the lens focal length and the shooting distance stay the same, the depth of field is much deeper at f/16 than at f/1.4.
2. The shorter the lens focal length, the deeper the depth of field (the other two factors remaining the same). For example, comparing a 28mm lens with a 50mm lens at the same aperture and shooting distance, depth of field is deeper with the 28mm lens..
3. The greater the shooting distance, the deeper the depth of field. i.e. other two factors remaining the same). For example, if the subject is photographed from three and then from seven meters away, the zone of sharpness in the foreground and background is greater at seven meters.

Another characteristic of depth of field is that it is generally deeper in the background than in the foreground.

COMPOSITION

Good composition is a key element of good photographs. Good composition guidelines in photography are :

1) Simplicity
          - Look for ways to give the center of interest in our pictures the most visual attention.
          - One way to select uncomplicated backgrounds that won't steal attention from our subjects.

2) The Rule of Third
          - The rule states that an image should be imagined as divided into 9 equal parts by 2 equally-spaced horizontal lines and 2 equally-spaced vertical lines, and that important compositional elements should be placed along these lines or their intersections.

   3) Lines
          - We can use diagonals as leading lines to provide a way into the picture. It's a simple and easy path for the eye to follow to the main subject. You can also use repetitive lines to draw viewers' attention to your center of interest. One of the most common and graceful lines used in composition is called the S curve.

   4) Balance
          - Good balance is simply the arrangement of shapes, colors, or areas of light and dark that complement one another so that the photograph looks well-balanced.

   5) Framing

• Sometimes you've a object of huge dominance within a scene.
• While breathtaking on-location, the final picture looks often much less impressive due to uninteresting space around the object.
• Try to find a frame which can eliminate the unimportant surrounding and focus the view.

A frame serves numerous purposes :

• It gives the image depth and helps to give the perception to viewers of it that they’re looking at something that is more than 2 dimensions.
• Framing can add context to a shot

WK 06 - STUDIO PHOTO SHOOT

WK 05 - MID-TERM BREAK

YEEAAHHOOOOO!!!!!!!
Its a mid term break!
HAPPY CHINESE NEW YEAR